This Christmas season marks twenty years of Andrew Peterson’s Behold the Lamb of God. Wow. What can I say about an album so beloved by ... Read More
[Stephen Lamb (no stranger in these parts) recently had an essay featured on the Art House America blog and it’s too good not to share. Is it a record review? Yes, sort of, but it’s also a lot more. The opening paragraphs are posted below; click over to Art House America and read the entire piece. It’s great.]
The day I turned thirty, I met some friends for drinks and celebratory cigars at a smoke shop across the street from one of my favorite restaurants, an Asian bistro where the sushi bar offers a roll that uses raw filet mignon instead of rice to hold everything together. After a couple of beers, and halfway through my cigar, I responded to the question someone had posed, asking what I wanted from the future. For one, I said, I hoped I’d be married before another decade had passed. “I’m not looking for someone to take away my loneliness. I know another person won’t do that. It’s just that sometimes I think I’m ready for a different kind of lonely.”
* * *
I listened to Leonard the Lonely Astronaut seven times in a row the first day I heard it. A concept album from Andrew Osenga, it tells the story of a man named Leonard, set in the year 2365. While in the process of finalizing his divorce, his wife and child are killed in a car accident. Crippled by grief, Leonard decides to volunteer to pilot a transport shuttle to a distant planet. The trip will take a year—six months there, six months back—but due to the laws of relativity and such, everyone he knows will be dead by the time he returns to earth. “I’ll make some new friends / maybe with their grandkids,” Andrew (Leonard) sings, ready for a new start, hopeful things will turn out differently this time.
I loaned Andy my old 60s Rogers drumset for the project and helped him build the spaceship in which to record it (yes, you read that right), so he sent me a copy of the record as soon as he had the final mixes. A couple days after my first listen, still hitting repeat over and over, I read Terry Tempest William’s new book, When Women Were Birds: 54 Variations on Voice, in two sittings. A beautiful book, equal parts reflection on her own relationships and meditations on the ways women find their voice in a world that often says their voice is unimportant, she has this to say about her marriage: “I have never been as lonely as I have been in my marriage. I have also never been more seen or more protected.” That night, I e-mailed the quote to Andy (one of the friends who had been around the table when I’d answered that question), saying I didn’t think I could come up with a better short summary of Leonard, no matter how hard I tried.
Pete Peterson is the author of the Revolutionary War adventure The Fiddler’s Gun and its sequel Fiddler’s Green. Among the many strange things he’s been in life are the following: U.S Marine air traffic controller, television editor, art teacher and boatwright at the Florida Sheriffs Boys Ranch, and progenitor of the mysterious Budge-Nuzzard. He lives in Nashville with his wife, Jennifer, where he's the Executive Director of the Rabbit Room and Managing Editor of Rabbit Room Press.