My husband is a crier in movies; I am not. Occasionally something will tug out a tear or two, but it’s rare. And weeping? Unheard ... Read More
It’s likely you’ve never heard the name Katsushika Hokusai, but his work informs our thinking when it comes to what we perceive as Japanese art. For example, you’ve probably seen some form of his most famous painting (above), known simply as “The Great Wave,” which is part of a larger series called 36 Views of Mount Fuji. Hokusai lived from 1760-1849, and started training as an artist around the age of 12, but only produced his most important work, including “The Great Wave,” after 60.
I had a chance to view a special exhibition of his work this past week at the Boston Museum of Fine Arts. Amidst the many prints was a quote from the artist himself, which caught my attention:
“From the age of six I had a penchant for copying the form of things, and from about 50, my pictures were frequently published; but until the age of 70, nothing that I drew was worthy of notice. At 73 years, I was somewhat able to fathom the growth of plants and trees, and the structure of birds, animals, insects, and fish. Thus when I reach 80 years, I hope to have made increasing progress, and at 90 to see further into the underlying principles of things, so that at 100 years I will have achieved a divine state in my art, and at 110, every dot and every stroke will be as though alive.”
Hokusai’s thoughts present a startling contrast to our culture obsessed with youth and quick success, and they hint at the long, disciplined process of mastery. What do you think of Hokusai’s words as they apply to the life of the artist, or to life in general?
Chris teaches writing and literature to college and high school students. He is the author of several books of poetry, and has released several albums of original music. He is also an amateur photographer, part-time stick-swordfighter, and chai enthusiast. He and his wife Jen enjoy reading, writing, and exploring the cities, coasts, and forests of New England.