One of the most meaningful moments of my life was last year at the Western Wall in Jerusalem. I wasn’t supposed to, but I used my phone to record the sounds of the Jews singing as the sun set that Sabbath, marking the beginning of the Jewish new year.
I moved among them in awe, thinking about how similar our longings were: theirs for the reestablishment of the temple, for the coming of the messiah; mine for the descent of the New Jerusalem, for the return of the Messiah and the age when God will make his home with us again. When I touched the wall—closer than I’ve ever been to the place where God’s presence once dwelled—and prayed with the throng using the same words of the psalms and prophets, I wept. (I did a lot of crying in Israel.) It reminded me of Lucy climbing into the wardrobe to get back to Narnia only to find the way closed.
I wanted to see the King in the New Jerusalem so badly I literally felt a pain in my chest. At the end of Fiddler on the Roof, one of my favorite musicals, the displaced Jews say to one another, “Next year in Jerusalem.” It’s a phrase often used at the end of a Passover meal, pointing to their longing for home, and it sums up my own longing for the New Jerusalem well.
You can pick up Resurrection Letters: Volume I in the Rabbit Room Store and listen to “Maybe Next Year” here:
Andrew Peterson is a singer-songwriter and author. Andrew has released more than ten records over the past twenty years, earning him a reputation for songs that connect with his listeners in ways equally powerful, poetic, and intimate. As an author, Andrew’s books include the four volumes of the award-winning Wingfeather Saga, released in collectible hardcover editions through Random House in 2020, and his creative memoir, Adorning the Dark, released in 2019 through B&H Publishing.