Like any production, we start with Act I.
I’ve thought about Moses a lot in the last year—bent and grey, hunched over some cut of stretched goat skin or the last bit of papyrus he’d been carrying around since the day he headed out from Egypt.Read More ›
It was all right, I knew, and so I drew lots of pictures of it. Grandma wasn’t sick anymore; Grandma was with Jesus, somewhere in the sweet by and by. I was going to wear a navy velvet dress and black leather shoes and sing “Amazing Grace” with my brother at her funeral. I was only five years old, but I was a pious little child and firmly believed someday I would go see Jesus and her together. The three of us would be very happy, and that was a moment worth drawing pictures of, so I drew lots of pictures of it. Of course it was all right. I drew pictures of it.Read More ›
When I was in high school, I carved out a piece of my humanities education to study stained glass windows, old cathedrals of European kingdoms, and the men who made them fine—medieval artists smelling strong of a long day’s labor, Middle Age wet mortar, and musty, dark communion wine. These men made beauty meant to age, with secret dyes that centuries of chemists in white lab coats have not yet learned to redesign that grow bolder and brighter year after year of sun and dust and time—years longer than any artist can survive. The moment those windows were made was the moment they were most decayed, and that is all the artist ever saw, and every generation watched the colors slowly come alive.Read More ›
There’s nothing like viewing the world through the lens of another language to show you how limited your own can be. We can’t ever fully merge two lexical frameworks into one, and our translations often fall short of the original concept. Some vocabularies don’t concisely reach into others.Read More ›
If a tree falls in a forest and no one is around to hear it, does it make a sound?Read More ›