A man named Harlan Hubbard—a writer, a painter, a musician, a husband, and a lover of the good earth—once wrote: “It happened this morning that I left for wild, far off places.”Read More ›
For the past 10 years, Hutchmoot has been an opportunity for like-minded people from far and wide to gather in Nashville and celebrate art, music, story, and faith. But as we all know, this year has been full of surprises.Read More ›
[Editor’s note: click here to read Part 6: A Scarcity of Mind by Shigé Clark.]
Several weeks ago when we began this series on the “lost art of listening,” I don’t know that any of us knew exactly where it would end up. But it’s been a delight to watch the topic develop and gather steam.
Andrew, Chris, Drew, Jennifer, Shigé, and Leslie have all articulated valuable facets of why and how we listen to music and carry it with us. It’s my turn now, and I came into this weekend, challenged to write something but honestly having no idea what I might be able to add to such a rich conversation.Read More ›
Hello, folks. Since the COVID-19 pandemic began, we’ve kept a close watch on developments with an eye toward the viability of Hutchmoot UK this August.Read More ›
My favorite moment of the entire church year is Easter Sunday. I love standing in the packed sanctuary and hearing the congregation proclaim “He is risen indeed” like a peal of thunder. But this year we don’t get to do that, and no live-streamed church service can adequately replicate that moment.Read More ›
In this crazy new world of social distancing, the Rabbit Room aims to bring people together around what matters, and we aim to do that in whatever way we can. To that end we’re launching the latest in our attempts to bring good things to light. Welcome to Rabbit Room LIVE, your 24/7 source of live content for a troubled world.Read More ›
Nearly four years ago, when Helena Sorensen and I had our first conversations about publishing The Door on Half-Bald Hill, we didn’t have any idea how relevant it would prove to be here in the midst of the COVID-19 quarantine. It’s a tale of an isolated people whose world is on the verge of collapse amid blight and plague, and it’s the journey of a young man who refuses to believe the end is inevitable. Though the emotional and physical landscape of the book is bleak, its destination is bright as the dawn.Read More ›
Howdy, folks. As everyone knows, the world has gotten a bit more complicated in the last few days. Thankfully, the COVID-19 pandemic doesn’t affect much in the way of the Rabbit Room’s day-to-day operations. But as some of you know, we’re scheduled to participate in several homeschool conventions and a Local Show in the next few weeks.
After much thought and prayer, this is what we’ve decided to do in light of these upcoming events:Read More ›
Every now and then, a book comes along that rings all your bells, shivers all your timbers, winds your clock, melts your face, shakes your foundations, and smacks you upside the head to remind you that stories are altogether a form of magic—and if that’s true, if stories are magic, Helena Sorensen might as well be Gandalf.
The Door on Half-Bald Hill is just that kind of book. It’s mythic. It’s personal. It’s tender. It’s terrifying. It’s fantastical. It’s historical. It’s pagan. It’s prophetic. It’s meticulously grounded, and yet gloriously transcendent.
What is this book, you ask. Rightly so.Read More ›
Why am I writing about orphans? What’s with all the violence? Have I ever been attacked by pirates? Why did I kill your favorite character? How much of this history business is actually true?
Here at the end of Part II of The Fiddler’s Gun, I sat down with poet, writer, Rabbit Room staff member, and reader of fine books Shigé Clark to discuss some “behind the scenes”-type stuff. Shigé only recently read the book for the first time and came to the studio full of great questions. It’s a fun discussion. I hope you enjoy it as much as we did.ad more
It’s become a yearly tradition for the Rabbit Room to join in the Black Friday madness, and I’ll be honest: there’s always a part of me that’s uncomfortable with it. Especially since we became a non-profit organization, I feel a degree of disparity when we jump wholeheartedly into something that seems so commercial.Read More ›