Allow me to introduce you to this special Limited Rabbit Room Edition of Rembrandt is in the Wind. I dedicated this book to my art teachers from middle school and high school because they played a formative role in developing my love for art. The Rabbit Room played a similar role in my desire to write.Read More ›
[Editor’s note: For this year’s Passion Week, we share an oldie and a goodie from Russ Ramsey, which originally appeared on the blog ten years ago. In this post, Russ outlines the narrative arc of Passion Week one day at a time, from Palm Sunday through Good Friday and into Resurrection Sunday. We hope Russ’s words bring you closer to the story, and we encourage you to revisit them throughout this week.]
The title Rembrandt is in the Wind is a play on words. It refers to Rembrandt’s painting Storm on the Sea of Galilee, in which he paints himself as one of the disciples in the boat—the one in the center of the vessel looking out at the viewer. So in the painting of the storm, Rembrandt is, quite literally, in the wind. But this painting was also stolen in 1990 and has not been seen since, so in the criminal sense of the term, the canvas itself is “in the wind.”Read More ›
There’s a clip from an old Peanuts cartoon where Schroeder is playing his little piano while Lucy leans against it, looking lovingly into his eyes. Snoopy edges his way into the frame, bopping a little to the groove. Before long, he launches into a full-on, joy-filled dance—head thrown back, arms outstretched, eyes closed, lost in the beauty of the song.Read More ›
A few years ago, Leif Enger came to speak at Hutchmoot, the annual Rabbit Room conference. That year, he and I had both gone through sudden medical crises. We bonded then over recovery stories and continued that friendship in the form of a fairly regular correspondence. When I was preparing to release Struck, a memoir about my experience, I asked Leif if he might be willing to read it and write an endorsement. He graciously obliged, providing one of the true high points in my career as an author—support from a literary hero.
At the beginning of November, I began a weekly habit of posting art to my social media feeds—Facebook, Twitter, and Instagram. I call it Art Wednesday. Every Wednesday, over the course of the day, I post a series of eight to ten paintings based on an artist or a theme. I name each work and usually offer a small comment about each one.
I began this weekly ritual before I had a vision for what I was actually trying to do. It started because I had been to The Museum of Modern Art and The Metropolitan Museum of Art in New York City, and wanted to share some pictures I took of paintings I’ve loved since my youth.
Earlier this fall, a group of amazing musicians gathered at The Ryman Auditorium to play through Rich Mullins’ A Liturgy, a Legacy, and a Ragamuffin Band, note for note. Andrew Peterson, who pulled the show together asked me to write an essay for that evening’s program. This is that essay. Read More ›
I am not a van Gogh scholar in the academic sense. But following my middle school art teacher’s advice to pick an artist to study for the rest of my life, I chose Vincent van Gogh. Read More ›
I’m pleased to be able to offer here, in full, the first chapter of Struck: One Christian’s Reflections on Encountering Death.
When my doctor told me I was dying, I came alive. Read More ›
Last week, the internet nearly caved in on itself when a happy toddler in white glasses and a yellow sweater danced her way into her father’s live interview on a BBC news program. If you have not seen the video I’m talking about, watch it here. Read More ›
Here’s the book trailer for Russ Ramsey’s Struck. Check out the Rabbit Room review here.