Film



Announcing Opening Week at North Wind Manor

By The Rabbit Room

We are so excited to announce Opening Week at North Wind Manor: a 4-day celebration (July 13th-16th) of the Rabbit Room’s newly rebuilt community space through story, music, art, and community. It’s just the beginning of what we hope will be a continual calendar of events aimed at nourishing Christ-centered communities for the life of the world. We hope you can join us for this exciting week of events!

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Music & the Meaning of Time in Little Women

By Drew Miller

It is no exaggeration to say that the soundtrack from 2019’s Little Women got me through 2020. For starters, Spotify told me so; its end-of-year report informed me that my favorite album was Little Women, my favorite artist was Alexandre Desplat, and my favorite song was “Christmas Breakfast.” Perhaps this is because in December 2019, it was the last movie my wife and I had seen together in our beloved Belcourt Theater before the pandemic, and we’ve remained captivated by it ever since. It reminded us of what is most true at a moment when our very next breaths seemed to take us into a tragic new world.

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Let it Be Awkward

By Carolyn Arends

What if it’s terribly awkward?

That was my first question when a filmmaker named The Arctic told me he wanted to conduct a video experiment with my song “To Cry for You.” His proposal was simple: “I’ll just ask people to let me film them while they listen to the song.”

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The Green Place

By Hetty White

One of my favorite scenes from Mad Max: Fury Road is when Furiosa learns that “The Green Place” she’s been searching for has long since been destroyed. She drops to her knees and lets out a heartbreaking cry of pain. It’s reminiscent of the scene in Little Miss Sunshine when the teenage kid learns he is colorblind and he will never pilot a plane. He also drops to his knees and yells a slightly more colorful word. Or when Willow and his gang of unlikely heroes finally arrive to Tir Asleen where everything was supposed to be okay, and find that Tir Asleen is no more.

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Stuff We Liked in 2020

By The Rabbit Room

“Okay,” you might be thinking, “Was there anything to like about 2020?” And you have a point. But amidst all the stuff we thoroughly disliked about 2020, there was some stuff that helped us get through 2020 as well—stuff like amazing albums, spellbinding movies, and cathartic books. So it is our great pleasure to share here today the vast ocean of recommendations from our blog contributors that is “Stuff We Liked in 2020.” We hope you discover something in here that you like, as well.

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Advent, Week Four: The Peace of Pierced Souls

By Amy Baik Lee

“He wants us to have peace. Happiness. Not to bring suffering on ourselves.”

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The Unbridled Joy of Making It

By Chris Yokel

If you’re like me right about now, you’re looking for just about anything to give you a glimpse of joy and beauty in a world that feels like it’s burning to the ground. And if you’re a maker of beauty, you might also be struggling with trying to draw anything remotely creative out of yourself during this season. Despite what the productivity gurus might suggest, it’s kind of hard to get things done with the underlying anxiety and fear so many of us are dealing with (much less working and parenting from home 24/7).

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Fixed In Post: Quarantine Edition

By The Rabbit Room

We’ve got a new episode of Fixed in Post—our podcast for the moviegoers among us, wherein co-hosts John Barber and Pete Peterson discuss films they love and what they would have fixed in post-production to make them even better. Except this time, John Barber is not joined by Pete Peterson. He is instead joined by the Rabbit Room’s Director of Sales & Event Programming, Chris Thiessen, who himself wields a sharp pop cultural eye.

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Hero-worship, Humor & the Harrowing Rescue of Jojo Rabbit

By Steve Guthrie

The montage that runs under the opening credits of Jojo Rabbit is one of the most insightful moments in a movie full of insights. Newsreel footage of Nazi youth rallies is accompanied by The Beatles’ “Komm, Gib Mir Deine Hand” (a German language version of “I Want To Hold Your Hand” that The Beatles recorded in 1964). Frenzied, dewy-eyed teenage girls scream “Heil Hitler!” But if you weren’t watching their lips closely, you might think they were screaming “Paul!” or “Ringo!” Arms wave frantically in the air, like those of excited fans at Shea Stadium. It is only after the second or third shot that you realize that the hands are extended in a Nazi salute. Likewise the hysterical cheering running along in the background might have been recorded at the Nuremburg rallies, or it might have been the crowd at the Ed Sullivan Theater (“Ladies and gentlemen . . . The Beatles!!”).

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Onward and the Quest for the Father

By Helena Sorensen

I wasn’t expecting to see so clear a picture of Jesus in Pixar’s latest movie, Onward, though I ought to know by now that unexpected places are his favorites. He’s always turning up with a wink and a grin when my mind is elsewhere and my defenses are down.

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1917 and the Futile Pilgrimage

By Mark Meynell

We all know about the classic Quest. It’s a literary staple from Homeric epic to contemporary fantasy. The hero must undertake a long and hazardous journey to rescue damsel/destroy artefact/carry message/save soul. From Odysseus to Aeneas, Mallory to Tolkien, Spielberg to Shrek, they’re all at it. These plots may or may not get advanced by a MacGuffin, a term popularised by Hitchcock for plot-driving objects such as rings, maps or antidotes. But whatever the ingredients, the reader/listener/viewer is gripped by the need to complete said quest in the face of great jeopardy. And if there’s no jeopardy, there’s no grip.

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The Return of The Resistance

By Matt Conner

The other day my wife found the artifact.

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