WARNING: Spoilers of certain films and stories follow.
So tonight is Halloween, or maybe for some of you, time for a church “Harvest Festival.” It’s essentially the same thing. Your kids will eat a year’s worth of candy in one night (unless, of course, you’re one of those boring parents who hands out apples and juice boxes), and everyone will dress up, just as long as there are no bloody Scream masks or witch costumes. Whatever your tradition is on the night of October 31st, the dark, spooky themes of horror films are inescapable this time of year.
[Editor’s note: This piece was written by our friend Mary McCampbell, who we are excited to have at Hutchmoot this year. Enjoy, and be sure to check out her session if you plan to attend.]
A few years ago, when preparing notes for a class discussion on Terence Malick’s 2011 film, The Tree of Life, I began to feel very uncomfortable about typing notes and viewing the film simultaneously.
I remember when I had no imagination for how ugly the process of redemption can look. It seems like that change in the landscape of my mind marks the point in life when I could say with certainty that I had grown up. In that moment, whatever or whenever it was, hope suddenly meant something different, something heavy and precious. It wasn’t pretty—not in the traditional sense of the word anyway. Learning to carry it hurt me, and I had to get used to the weight of something so worth holding, so demanding of a firm grip.
I think we wind up saying to others what we need to hear the most. We know what’s right and true, but it doesn’t always sink into our own skin. Perhaps that’s why we keep telling other people about it over and over again—we need the repetition.
I’ve consoled friends over coffee, speaking Holy Spirit-inspired words of wisdom, while internally chuckling at the irony that whatever I’m saying is what I should be doing. I’ve written talks preaching the importance of reflection and discipline that I so desperately need, yet often fail to maintain. When I manage to write a lyric that hits home, it’s usually not because I’ve mastered the sentiment behind it, but because it’s what I need to be reminded of. In this place of knowing the truth but doubting that I’ve fully grasped it, I’ve seen a film that makes me feel less alone.
The Local Show will be four years old this fall, and we’re having more fun than ever. This spring, filmmaker Karl Sutton caught up with three artists featured at the show to talk about where they’ve come from, how they approach the creative process, and what role community plays in their work. This is “Part Three: Community.” Enjoy!
The Local Show will be four years old this fall, and we’re having more fun than ever. This spring, filmmaker Karl Sutton caught up with three artists featured at the show to talk about where they’ve come from, how they approach the creative process, and what role community plays in their work. This is “Part Two: Process.” Come back next week for the third and final part.
The Local Show will be four years old this fall, and we’re having more fun than ever. This spring, filmmaker Karl Sutton caught up with three artists featured at the show to talk about where they’ve come from, how they approach the creative process, and what role community plays in their work. This is “Part One: Origins.” Come back next week for part two. Read More ›
By now, many of you may know that the Internet blew up last weekend over Childish Gambino’s music video for his new song, “This Is America.” As of the time I’m typing this, five days after release, the video has racked up over 63 million views and probably about as many think pieces.
How do you portray a villain like Thanos?
When your heroes have faced and defeated the god of mischief, the dark elves, a heartless celestial, an other-dimensional dark lord, and the goddess of death, how do you present your ultimate villain as a threat and not as a standard-model Big Bad Guy of the Week?
I wasn’t sure if Avengers: Infinity War could pull it off, but it did. Before we discuss why, though, you should know that there are MAJOR SPOILERS ahead.
Seriously, do not continue reading if you haven’t seen the movie.
Last year, the seemingly inexhaustible lead singer of Switchfoot, Jon Foreman, released the second four-EP project of his career, called The Wonderlands. The four EPs, Darkness, Dawn, Shadows, and Sunlight, track the hours of the day and explore a variety of themes. As if such a project were not already ambitious enough, Foreman decided to celebrate the project by playing 25 shows within 24 hours in his hometown of San Diego. This musical experience took place between October 24th and 25th of 2017, and a film crew was there to capture the action. For those of us fans not able to be there for such a momentous occasion, we can now experience it through the film 25 in 24, an hour long documentary just released.
When I started seeing my feed fill up with posts about loving The Greatest Showman, I started counting down the days until I could finally go see it. It had the makings of a movie I would adore. Musical theatre is my thing. Read More ›
We know we’re two weeks into 2018, but it takes some time to consider the mark a year leaves behind. We’ve finally gathered all our thoughts together, though, and here’s a look at the books, movies, TV, music, and some other stuff we in the Rabbit Room enjoyed the most in the past year. What were your favorites? Read More ›